Liquidscape

The search that I effect through my photos is always founded on the interaction among different forms of energies caused by the man or artificial. The light and the relation that it establishes with the metropolitan landscape  is at the base of my artistic search. This interaction is a form of energy. The use of the color in my photos is functional because with the blue and the yellow I try to represent two diacronics moments but belonging to an only instant. The color is allowed to flow in the time while the instants pass fast and overlapped to the things to represent the instant that passes, that runs away without being seen. The space in relationship to the time is created by instants that they can have put in sequence.  Are photos that seize upon the human presence, representing a subject that lives inside the urban scenery investigated through a technique that I have called "Blue yellow Photoliquids". This technique allows to reconstruct urban sceneries where different instants and overlaps of forms are mixed. In the photos the blue and the yellow represent the before and the later, represent two diacronics moments but belonging to an only instant. The temporal element becomes fundamental, in how much the dynamics are investigated with which the space is perceived in different way through to flow some time individualized by every frame that has been overlapped to the other to recreate the final image. It is as if the time was frozen and the energy in them contained makes to appear clearer the relationships that exist among the before and the after an instant, among the creation of the energy and its use, its inevitable exhaustibility. In the while there is being everything one world, further instants that can repeat to the endless one the creative logic of the same images, as in a sort of urban fractal.